Literature--which is art married to thought, and realization untainted by reality--seems to me the end towards which all human effort would have to strive, if it were truly human and not just a welling up of our animal self. To express something is to conserve its virtue and take away its terror. Fields are greener in their description than in their actual greenness. Flowers, if described with phrases that define them in the air of the imagination, will have colours with a durability not found in cellular life.
What moves lives. What is said endures. There's nothing in life that's less real for having been well described. Small-minded critics point out that such-and-such poem, with its protracted cadences, in the end says merely that it's a nice day. But to say it's a nice day is difficult, and the nice day itself passes on. It's up to us to conserve the nice day in a wordy, florid memory, sprinkling new flowers and new stars over the fields and skies of the empty, fleeting outer world.
Everything is what we are, and everything will be, for those who come after us in the diversity of time, what we will have intensely imagined--what we, that is, by embodying our imagination, will have actually been. The grand, tarnished panorama of History amounts, as I see it, to a flow of interpretations, a confused consensus of unreliable eyewitness accounts. The novelist is all of us, and we narrate whenever we see, because seeing is complex like everything.
Sunday, March 25, 2007
The Novelist is All of Us
From Text 27 of The Book of Disquiet, by Fernando Pessoa: